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# If you are regularly crawling WordPress.com sites, please use our firehose to receive real-time push updates instead. # Please see https://developer.wordpress.com/docs/firehose/ for more details. Sitemap: http://cinematicvisions.wordpress.com/sitemap.xml Sitemap: http://cinematicvisions.wordpress.com/news-sitemap.xml User-agent: * Disallow: /wp-admin/ Allow: /wp-admin/admin-ajax.php Disallow: /wp-login.php Disallow: /wp-signup.php Disallow: /press-this.php Disallow: /remote-login.php Disallow: /activate/ Disallow: /cgi-bin/ Disallow: /mshots/v1/ Disallow: /next/ Disallow: /public.api/ # This file was generated on Sun, 06 Feb 2022 02:19:58 +0000 |
Title | Cinematic Visions | A close up look at the films of yesterday and |
Description | A close up look at the films of yesterday and |
Keywords | N/A |
WebSite | acinematicvision.com |
Host IP | |
Location |
Site | Rank |
US$955
Last updated: 2022-09-03 20:49:03
acinematicvision.com has Semrush global rank of 0. acinematicvision.com has an estimated worth of US$ 955, based on its estimated Ads revenue. acinematicvision.com receives approximately 110 unique visitors each day. Its web server is located in , with IP address . According to SiteAdvisor, acinematicvision.com is safe to visit. |
Purchase/Sale Value | US$955 |
Daily Ads Revenue | US$0 |
Monthly Ads Revenue | US$26 |
Yearly Ads Revenue | US$317 |
Daily Unique Visitors | 7 |
Note: All traffic and earnings values are estimates. |
Skip to primary content Skip to secondary content Cinematic Visions A close up look at the films of yesterday and today Search Main menu Home About Reviews & Analysis Scene Sound Off Top 10 What’s Up With That Ending? Post navigation ← Older posts What We Do Next Posted on April 24, 2022 by crolins Reply What We Do Next is small in scale but tackles wide-ranging issues such as familial trauma, social justice, and moral responsibility. The tense drama focuses on a young woman released from prison after 16 years for using funds donated by community activists to purchase a gun and kill her father. Writer/director Stephen Belber confronts the difficult question of who was responsible for the young girl and if it was wrong to provide her a pathway to crime. Belber’s film uses an intimate theatrical structure to craft a strained atmosphere. Each scene only includes two or three actors often shot in tight close-ups, occurs in an enclosed space, and takes place in real-time. This filmmaking |
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